INTRODUCTION

 

Throughout the 20th century cross-cultural and historical influences exerted a profound impact upon fashion design. The styles, designs and materials of other times and cultures became more accessible to designers at first hand as improved travel and communications enabled continents to be crossed with ease. With developments in photographic and printing techniques, they were also able to glean ideas from secondary sources such as lavishly illustrated books, magazines and journals. From the 1950s European designers needed only to look around them to see a rich variety of clothing from all corners of the world.

Fashion does not exist in a vacuum. Its history is one that is intertwined with art, culture, industrial and social change and a century of revolution. To understand this is fundamental to anyone wanting to work in the contemporary fashion industry, be it as a designer, curator, stylist or writer.

 

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Until the end of the 18th century , fashion had been created for, and set by, the court circles. In the Middle Ages certain colours and fabrics had been restricted to the nobles, and rank and wealth were clearly shown through dress. After the French Revolution aristocrats dress less flamboyantly; their position in society was shown by their clothes but it was no longer flaunted.

The 19th-Century industrial Revolution created the powerful middle classes, fashion began to cater for this new market and by the beginning of the 20th -century prosperous middle class and aristocratic dressing had merged into a general upper-class style.

World wars, revolutions and the rapid social changes of the last 100 years have produced more changes in the way people dressed than any comparable period in history.

 

 

In those 100 years we have seen women’s skirts trailing the streets and so short they barely covered the seat. Breasts have been exaggerated until they looked like deformities, and bound to make them as flat as a thin man’s chest. Shoulders have been padded out like Harlem Globetrotters and sloped like bottle-tops. Women’s hair has been grown to waist length and swept on top of the head over false pads, less than 15 years later it was shorn like an army recruit.

 

 

Men have dressed to look affluent and reliable and to appear deliberately poor and ragged. Suede shoes have been thought effeminate and shoulder-length curls manly enough for construction workers.

 

 

Fashion, like writing, humour and music, is a social reflection; it is transitory. Clothes always suit the period and look right at the time. One could not imagine the stately Edwardian women in the skimpy fashions of the twenties, the flappers in Dior’s New Look of the late forties, or the 1960s Swingers in the ethnic layers of the seventies. The social changes of the century are mirrored by changes in fashion, each decade unravels it’s own fascinating character.

 

 

 

 

1955: A ‘Teddy Boy’ gets admiring glances from friends.

 

 

 

Throughout the 20th century cross-cultural and historical influences exerted a profound impact upon fashion design. The styles, designs and materials of other times and cultures became more accessible to designers at first hand as improved travel and communications enabled continents to be crossed with ease. With developments in photographic and printing techniques, they were also able to glean ideas from secondary sources such as lavishly illustrated books, magazines and journals. From the 1950s European designers needed only to look around them to see a rich variety of clothing from all corners of the world.